Neoliberalisme dalam Platform Streaming: Analisis Wacana Kritis terhadap Serial Asli

Authors

  • Sahrul Kurniawan Universitas Muhammadiyah Tangerang
  • Muhamad Wildan Universitas Muhammadiyah Tangerang
  • Rafi Rivaldi Akbar Universitas Muhammadiyah Tangerang
  • Dicky Prasetyo Universitas Muhammadiyah Tangerang
  • Eko Purwanto Universitas Muhammadiyah Tangerang

DOI:

https://doi.org/10.47134/converse.v2i1.4533

Keywords:

Neoliberalisme, Platform Streaming, Analisis Wacana Kritis, Serial Asli, Kapitalisme Digital

Abstract

Penelitian ini bertujuan untuk mengkaji bagaimana ideologi neoliberalisme direpresentasikan melalui serial asli (original series) yang diproduksi oleh platform streaming seperti Netflix, Disney+, dan Amazon Prime Video. Dengan menggunakan pendekatan Analisis Wacana Kritis (AWK) model Norman Fairclough, penelitian ini menelaah struktur naratif, representasi karakter, dan dinamika produksi dalam beberapa serial populer. Hasil penelitian menunjukkan bahwa serial-serial ini tidak hanya menjadi produk hiburan, tetapi juga merefleksikan dan memperkuat nilai-nilai neoliberal seperti individualisme, kompetisi, meritokrasi, dan komodifikasi budaya. Dengan demikian, platform streaming berfungsi sebagai alat reproduksi ideologi dominan di era kapitalisme digital.

References

Araújo, 2024; Singh et al., 2024. (2024). Araújo. September.

Brunet i Icart, I., & Moral Martín, D. (2018). Origen, contexto, evolución y futuro de la Formación Profesional. In Origen, contexto, evolución y futuro de la Formación Profesional. https://doi.org/10.17345/9788484246145

Chalaby, J. K. (2025). Streaming giants and the global shift: building value chains and remapping trade flows. Journal of Communication, 75(2), 112–124. https://doi.org/10.1093/joc/jqae040

Dhigal, E. (2022). In what ways can reality TV be said to be neoliberal ? In what ways can reality TV be said to be neoliberal ? January, 0–7.

Douglas, J. (2015). A Romance of Business: Genre, Scarcity, and the Businessman in the American Economic Novel. Belphégor, 13–1, 0–12. https://doi.org/10.4000/belphegor.586

Figueiredo, A. S. de, Thomé, A. F. V. H., Bubolz, F., Santos, H. M. dos, Menin, J. D., Cardoso, L. M. A., Santos, M. M. dos, Costa, M. M. M., Luzardo, M. D., Natividade, P. R. O. da, Costa, R. M. da, & Gomes, S. (2024). A CONSTRUÇÃO DA IDENTIDADE CULTURAL NA ERA DIGITAL. Revista Ft, 45–46. https://doi.org/10.69849/revistaft/ni10202410222045

Gonzalez, G. A. (2020). Popular Culture and the Political Values of Neoliberalism. November. https://doi.org/10.5771/9781498591867-27

Handayani, R., Ahimsa-Putra, H. S., & Budiman, C. (2020). Digitalisasi Ideologi: Mediatisasi Hegemoni Ritual Rambu Solo di Media Sosial. Communicatus: Jurnal Ilmu Komunikasi, 4(1), 1–24. https://doi.org/10.15575/cjik.v4i1.8493

Haryono, C. G. (2018). Commodification of Labor and the Morphogenesis of Exploitative Structures in Television Program Production. October. https://doi.org/10.2991/icomacs-18.2018.6

Heredia Ruiz, V. (2022). Contenido original: La apuesta estratégica de las plataformas de streaming. El caso Netflix en Latinoamérica. URU, Revista de Comunicación y Cultura, 5, 11–30. https://doi.org/10.32719/26312514.2022.5.2

Ii, P. (n.d.). Ideas , discourses and policy analysis T & F PROOFS NOT FOR PROOFS NOT FOR.

Kulyan-Kozionova, M. E., Shimolina, M. V., & Shchekina, E. G. (2024). DIGITAL REALITY AS A NEW MANIFESTATION PHENOMENA OF BORDER CULTURE. Russian Studies in Culture and Society, 8(2), 110–127. https://doi.org/10.12731/2576-9782-2024-8-2-235

Min Ju, K. (2022). UC San Diego UC San Diego Electronic Theses and Dissertations. Uc San Diego, 1–166.

Muñiz, L., & Verd, J. M. (2020). Theoretical-Methodological Elements for Comparative Analysis of Social Inequalities in Life Courses. In Towards a Comparative Analysis of Social Inequalities between Europe and Latin America. https://doi.org/10.1007/978-3-030-48442-2_10

Ramanathan, R., & HOON, T. (2015). Application of Critical Discourse Analysis in Media Discourse Studies. 3L: Southeast Asian Journal of English Language …, 21(2), 57–68. /citations?view_op=view_citation&continue=/scholar%3Fhl%3Den%26start%3D40%26as_sdt%3D0,5%26scilib%3D1&citilm=1&citation_for_view=OOHtgQUAAAAJ:u-x6o8ySG0sC&hl=en&oi=p

Ruiz Muñoz, M. M., & Álvarez Gil, M. F. (2023). La narrativa y sus aportes a la construcción del conocimiento social. Revista Latinoamericana de Estudios Educativos, 53(2), 385–400. https://doi.org/10.48102/rlee.2023.53.2.544

Sebastián-Martín, M. (2021). Refabricating Individualism and Commodifying Anti-Capitalism: Melodramatic SF and VOD Spectatorship. Science-Fiction Studies, 48(June), 332–353. https://doi.org/10.1353/sfs.2021.0040

Shalyutina, N. V., & Igaeva, K. V. (2023). Typology Issues of Commemoration Practices in New Media. Nauchnyi Dialog, 12(5), 215–231. https://doi.org/10.24224/2227-1295-2023-12-5-215-231

Springer, S. (2010). Neoliberal discursive formations: On the contours of subjectivation, good governance, and symbolic violence in posttransitional Cambodia. Environment and Planning D: Society and Space, 28(5), 931–950. https://doi.org/10.1068/d9708

Steves, R. I. E., & Germani, I. G. (n.d.). Las narrativas del neoliberalismo en el relato de las series: Billions y The Walking Dead. http://publicaciones.sociales.uba.ar/argumentos/No21%7COctubrede2019

Downloads

Published

2025-07-10

How to Cite

Kurniawan, S., Wildan, M., Akbar, R. R., Prasetyo, D., & Purwanto , E. (2025). Neoliberalisme dalam Platform Streaming: Analisis Wacana Kritis terhadap Serial Asli . CONVERSE Journal Communication Science, 2(1), 14. https://doi.org/10.47134/converse.v2i1.4533

Issue

Section

Articles

Most read articles by the same author(s)

1 2 > >> 

Similar Articles

1 2 3 4 5 6 7 > >> 

You may also start an advanced similarity search for this article.